Fred Dewitt is an African American interdisciplinary artist with a disability who is researching and exploring ways to deconstruct notions of white supremacy as it is promoted in early American art. His research places materials as a cornerstone of cultural liberation. Clay, coffee, cotton, gold, sugar, and ground pigments are just some of the elements he uses as a means of cultural renewal. 

His artwork reveals how Black bodies are repositories for trauma – Black bodies are commodities; even Black Joy is commodified. His most recent work tries to depict the violence enacted on Black bodies without directly showing violence. A seemingly endless loop of Black men and women are harassed, disrespected, surveilled, beaten, and killed repeatedly on social media platforms. Black death is a spectacle, a sideshow. DeWitt says, “As an artist do I have a responsibility to address these complex social issues; more to the point, how can I document the struggles of urban life without adding to the traumatic terror, the horror of this American reality? And what are the materials which mark this space and time? What are the materials associated with Black resistance? How can I tell a different story?” DeWitt’s artwork also asks the viewer to dream of a different reality, a speculative reality, an Afro-surreal reality where blackness unapologetically thrives. 

His art practice incorporates painting, sculpture, performance art and social practice. Many of his artworks fuse Asian woodblock printing techniques, with Western oil painting, and eastern ceramic aesthetics with west African sculptural forms. 

He often gathers wild clay and organic materials from ancestral sites of resistance. He uses ink, oil and natural pigments on paper, wood, silk, and canvas to create hybrid motifs. He is a narrative history painter who explores parallels between 19th century artistic expressions and present-day realities. DeWitt designs sculptures and functional ceramic objects that combine representational clues with camouflage aesthetics of patterns, plant life, symbols of healing and resistance. 

DeWitt’s artwork reflects the life he has lived. The work is about the fears and trials of being an African American man with a disability. The work is about the challenges of urban life and the beauty of our united human conquest.